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Published in 1912, this scholarly exploration of meter and rhythm begins with ancient Greece and Rome; moving through Old and Middle English; Chaucer; the ornate and plain styles; Edmund Burke; the great novelists of the nineteenth century such as Austen, Dickens, and Thackeray; the lyrical prose of John Ruskin; and more. It is one of the very few full-length studies of prose rhythm.
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Renowned for his prolific writing-everything from philosophy screeds to detective fiction-G. K. Chesterton had a worldview like no other, one that inspires thinkers to this day. In this collection of writings, he shares his thoughts on a diverse array of topics, making no apologies for his leaps from one subject to another. He's not afraid to get into the down and dirty of everyday life. Of his essays-on futurists, telegraph poles, kinds of men, and...
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All narrative writing must pull from the raw material of life a tale that will shape experience, transform event, deliver a bit of wisdom. In a story or a novel the "I" who tells this tale can be, and often is, an unreliable narrator, but in nonfiction the reader must always be persuaded that the narrator is speaking truth. How does one pull from one's own boring, agitated self the reliable narrator who will tell the story that needs to be told? Using...
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Focusing on the representation of same-sex desire in Victorian autobiographical writing, Oliver Buckton offers significant new readings of works by some of the most influential figures in late-nineteenth-century literature and culture. Combining original research, careful historical analysis, and contemporary theories of autobiography, gender, and sexual identity, he provides nuanced studies of confessional narratives by Edward Carpenter, John Henry...
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Susan Bernstein examines the gendered power relationships embedded in confessional literature of the Victorian period. Exploring this dynamic in Charlotte Bronta's Villette, Mary Elizabeth Braddon's Lady Audley's Secret, George Eliot's Daniel Deronda, and Thomas Hardy's Tess of the d'Urbervilles, she argues that although women's disclosures to male confessors repeatedly depict wrongdoing committed against them, they themselves are viewed as the transgressors....